Abstract

This chapter considers the phenomenon of free indirect style, and what imaginative response it calls for from the reader who encounters it in a fiction. Two ‘single voice’ theories of free indirect style are discussed: one which argues that we should hear FIS only as implying the voice of a character whose experience is being evoked, and another which argues that we should hear FIS only as implying the voice of a narrator describing the experience of a character. This chapter argues instead that the reader is called upon both to imagine from the inside the experience of a character, and that a narrator reports that experience; and that there is nothing incoherent or imaginatively challenging about this. Along the way, the chapter considers the relevance of this view to Goldie’s discussion of autobiographical memory ‘integrating’ ‘external and internal perspectives’ in The Mess Inside.