John Buridan: Portrait of a Fourteenth-Century Arts Master [Book Review]

Dialogue 42 (4):832-834 (2003)
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Abstract

There is a perception that among medieval philosophers John Buridan is one who, as he becomes better known, will be generally counted along with Abelard, Aquinas, Scotus, and Ockham as a philosopher of the first rank. Despite his being the most famous and influential philosopher of his time, Jack Zupko says that “the real impact of Buridan on western thought has yet to be appreciated”. As an editor, translator, and student of Buridan, Zupko is well suited to document this impact, and he does so in John Buridan: Portrait of a Fourteenth-Century Arts Master. The “portrait” Zupko paints is a thoroughly philosophical one. The result is not an introductory work, although it is lucidly written and meets the informed reader more than halfway. Buridan is studied as much for his style of philosophizing as for his doctrinal contribution and innovations.

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