Abstract

Sören Stenlund's work marks a major advance in our understanding of why the philosophy of language has been so dominated over the past few decades by the so-called "creative aspect of language" -- the problem of how we are able to understand sentences that we have never heard before. Stenlund raises some fundamental philosophical objections by demonstrating, for example, how the theory distorts the flexibility and fluidity of word -- and sentence -- meaning. Although words and sentences can have a remarkable number of different, sometimes extraordinarily subtle meanings, Stenlund shows how language-users can readily adapt to entirely novel uses of a word or a sentence. Language and Philosophical Problems presents the results of philosophical investigations into several connected issues of current interest within the philosophies of language, logic, mind, and mathematics. In particular it deals with our tendency to be misled by certain prevailing views and preconceptions of language.