Abstract

Over the course of the seventeenth to eighteenth centuries, an interior private notion of religion gained wide public recognition. It then spread through settler colonial contexts around the world. It has since been criticized for its abstract, immaterial nature as well as its irrelevance to traditions beyond the European context. However, such critiques obscure the contradiction between religion’s definition as a matter of interior privacy and its public visibility in various printed publications. Firstly, this monograph responds by re-evaluating the cultural impact of the exterior forms in which religious texts were printed, such as pamphlets, broadsheets, books and journals. Secondly, it applies that evidence to critical studies of religion shaped by the crisis of representation in the human sciences. While Jacques Derrida is oft-cited as a progenitor of that crisis, the opposite case is made. Lastly, it draws on Derrida’s thought to reframe the relation between a religious text’s internal hermeneutic interests and its external forms. In sum, a new model is provided of how religion was printed in ways that can be compared to other material cultures around the world.