Authors
Beata Stawarska
University of Oregon
Abstract
The essay traces the double, phenomenological and psychological, background of Sartre’s theory of the imagination. Insofar as these two phenomenological and psychological currents are equally influential for Sartre’s theory of the imagination, his intellectual project is situated in an inter-disciplinary research area which combines the descriptive analyses of Edmund Husserl with the clinical reports and psychological theories of Pierre Janet. While Husserl provides the foundation for the prevailing theory of imagination as pictorial representation, Janet’s findings on obsessive behavior enrich an alternative current in Sartre’s thinking about imagination as spontaneous and self-determined creativity.
Keywords Husserl  imagination  Janet  phenomenological psychology  Sartre
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DOI 10.1007/s11097-005-0136-8
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References found in this work BETA

Naming and Necessity.S. Kripke - 1972 - Tijdschrift Voor Filosofie 45 (4):665-666.

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Citations of this work BETA

Sartre and Ricoeur on Productive Imagination.Lior Levy - 2014 - Southern Journal of Philosophy 52 (1):43-60.

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