Why Bother with Cinema?, on Paolo Cherchi-Usai The Death of Cinema: History, Cultural Memory and the Digital Dark Age

Film-Philosophy 7 (1) (2003)
  Copy   BIBTEX

Abstract

Review of Paolo Cherchi-Usai _The Death of Cinema: History, Cultural Memory and the Digital Dark Age_ Preface by Martin Scorsese London: British Film Institute, 2001 ISBN 0851708374 (pb) 0851708382 (hb) 134 pp

Categories

Keywords

DOI

10.3366/film.2003.0009

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 86,441

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

The death of cinema: history, cultural memory, and the digital dark age.Paolo Cherchi Usai - 2001 - London: BFI.
Cinema, memory, modernity: the representation of memory from the art film to transnational cinema.Russell James Angus Kilbourn - 2010 - New York: Routledge.
Beyond Abstract Film, on Malcolm Le Grice Experimental Cinema in the Digital Age.Edward S. Small - 2003 - Film-Philosophy 7 (7).
The future of the past: The cinema.Zsuzsa Baross - 2006 - Angelaki 11 (1):5 – 14.
Out of Field: the future of film studies.Gregory Flaxman - 2012 - Angelaki 17 (4):119 - 137.
Cristina Johnston (2010) French Minority Cinema.Jehanne-Marie Gavarini - 2012 - Film-Philosophy 16 (1):287-291.
Analogue Film, Digital Discourse, on Sean Cubitt's The Cinema Effect.Richard Misek - 2005 - Film-Philosophy 9 (3).
German Cinema History as Rhizome, on The German Cinema Book , edited by Tim Bergfelder, Erica Carter, and Deniz Gktrk.Angelica Fenner - 2004 - Film-Philosophy 8 (1).
The Senses and Memory in Intercultural Cinema.Melanie Swalwell - 2002 - Film-Philosophy 6 (3).
Jean Baudrillard and Cinema: The Problems of Technology, Realism and History.Gerry Coulter - 2010 - Film-Philosophy 14 (2):6-20.
Theories of cinema, 1945-1995.Francesco Casetti - 1999 - Austin: University of Texas Press.
A Philosophy of Cinematic Art.Berys Gaut - 2010 - Cambridge: Cambridge University Press.
The neuro-image: a Deleuzian film-philosophy of digital screen culture.Patricia Pisters - 2012 - Stanford, California: Stanford University Press.
Deleuze on cinema.Ronald Bogue - 2003 - New York: Routledge.
Dreaming of Fred and Ginger: cinema and cultural memory.Annette Kuhn - 2002 - New York: New York University Press.

Analytics

Added to PP
2013-11-24

Downloads
54 (#250,844)

6 months
1 (#869,379)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

David Sorfa
University of Edinburgh

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references