Notes On Aristophanes' Acharnians

Classical Quarterly 28 (02):383- (1978)
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Dikaiopolis, having borrowed a beggar's disguise from Euripides, is about to return to the place where he has set the butcher's block over which he will make his defence of his private peace-treaty. He finds, however, that his is reluctant to take the plunge. ‘Forward now, my soul,’ he says to it, ‘here's [or ‘there's’] the . What does mean here? Plainly we are meant to think of a foot-race; but is the ‘line’ in question the starting line or the finishing line? The question has implications for production. If it is the starting line, Dikaiopolis must point to an imaginary line on the ground just in front of him; if the finishing line, he must point to the block. The scholia take ypanfiri to mean ‘starting line’ here; but this sense has no fifth-century support. At this date ypanfiri in connection with races meant always ‘finishing line’ (Pind. Pytb. 9



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Aristotelian Comedy.Malcolm Heath - 1989 - Classical Quarterly 39 (02):344-.
Aristotelian Comedy.Malcolm Heath - 1989 - Classical Quarterly 39 (2):344-354.

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Greek Scenic Conventions in the Fifth Century B.C.Arnott Arnott - 1962 - Classical World: A Quarterly Journal on Antiquity 56 (2):43.

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