Abstract

Style is one of the oldest and most powerful analytic tools available to art writers. Despite the importance of style as an artistic, literary, and historiographic practice, the study of it as a concept has been intermittent, perhaps, as Philip Sohm argues, because style has resisted neat definition since the very origins of art history as a discipline. His analysis of the language that painters and their literate public used to characterize painters and paintings will enrich our understanding about the concept of style.