Abstract

Positing that the significance of The Captain and the Enemy, Greene’s last fictional narrative, has been under-appreciated, this essay treats the novel as “a metafictional parable in which he adumbrates the fate of writing in an age no longer attuned to the nuances of ‘mystery.’” The narrator Baxter struggles to position the Captain as a romanticized father-figure and demystify the Captain’s lifelong commitment to his lover, Eliza. The mystery of love sustains itself in the “quotidian manifestations of unselfish constancy” Baxter discovers and cannot explain. Greene hereby explores the enigma of human love and reflects on his career-long preoccupations as a writer and a Catholic.