Abstract

Evidence evinced primarily from the visual arts suggests that the term `postmodernism' is unlikely to survive as a general description of contemporary culture beyond the year 2000. The concepts of both post-industrialism and postmodernism are examined as presented by six major writers. None makes a convincing case for the establishment of an historical disjunction that separates modernism from postmodernism either during the 1960s or at any other time. There is a need to recognize that the modernism of the late 19th and early 20th century is no longer modern. It would be better described as the formalesque. This will make it possible to recognize the `postmodern' as the true modernism of the 20th century, the prime sources of which lie in Dada, surrealism and the Neue Sachlichkeit