Abstract

Kant's account of the way in which our faculty of discursive understanding acts on what is given in our sensible intuition to produce experience lies at the heart of his critical philosophy. The present study is devoted to explicating this account. Kant distinguishes the operation of discursive understanding in sensible intuition, its operation in the guise of the productive imagination, from its operation in forming clear concepts of the objects of the productive imagination. The former brings about the relations of the contents of sensible intuition in space and time by representing these relations. The latter produces clear concepts in a process of comparison, abstraction, and reflection. ;In elaborating this account, I proceed first by examining Kant's contrast between intuition and concept, in order to clarify the contrast between cognition in intuition and cognition through clear concepts. I then examine Kant's reception and development of the Leibnizian account of the clarity and obscurity of representations. This examination in turn prepares the way for my reading of Kant's account of concept formation as an analytic process by which we produce the logical form of our concepts. All this serves to sharpen our understanding, not only of the relation between the two levels at which discursive understanding operates in bringing about experience, but also of Kant's central notions of consciousness and the form of cognition. Finally, I turn to examining Kant's account of the origin of the categories. I show that, on this account, the real sensible content of the categories--form of our cognition of objects--is represented obscurely in the synthesis of the productive imagination, and is brought to clarity in a process analogous to that whereby we acquire all our concepts by giving them their logical form