Le Restant [Book Review]

Review of Metaphysics 32 (2):351-352 (1978)
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Abstract

This complex and subtle book is difficult to summarize. The author intends it as a supplement to existing commentaries on Plato’s Meno, rather than as a straightforward commentary of his own. His approach to Plato builds upon that of Leo Strauss, Jacob Klein, and the Tübingen School, but is not reducible to any of these and contains other influences as well, such as Heidegger. In addition to taking with minute seriousness the dramatic composition of the dialogue, Brague combines precise and sensitive philological tools with a marked ontological interest. He reads the Platonic dialogue in a bipolar perspective. Dialogues are tests of friendship but at the same time, as "works" or literary texts rather than objects, they may have a sense in themselves. Brague cites Proust in this context, but one thinks also of Derrida. Consequently the dialogue has both an intrinsic order, corresponding to the rhythmic development of its theme, and also an allusive dimension or a lacuna suggested by the text, to be filled in by the reader. In a similar sense one may say that the theme of the Meno is bipolar. The first pole is the theme of the nature of the soul, hence of virtue, and more specifically, of Meno’s soul. Meno’s defective nature is the basis for a continuous "degradation" in the stages of the dialogue. Alternatively, it is the basis for Meno’s "anthropological" approach to virtue. The key to the Meno is that the Good is missing from the dialogue. This observation provides a transition to the second thematic pole. The structure of the dialogue reflects the stages of Plato’s esoteric teaching as presented by K. Gaiser : dialectic, geometry, politics. This raises a question for Brague, which he does not seem to me to answer : if this is the order of Plato’s secret system, how is the degraded presentation of the system, relative to Meno’s defective soul, isomorphic to the hierarchical structure of the system? Granting that politics is lower than dialectic, there must be a better and a worse presentation of politics. Brague’s approach entails that the degraded image of the structure nevertheless reveals the structure itself. But if the Good is absent from the image, how are we to infer that it is present in the structure? A similar problem suggests itself with respect to what Brague calls the key to the movement of the dialogue: the distinction between the limiting and the limited and correspondingly, "the powerlessness of the limit" in Meno’s case. In the last and longest section of the book, there are many fine analyses and illuminating insights, too many to do justice to here. One may call special attention to the connection between the episode of recollection and geometry on the one hand, and the duality of principles in Plato’s system. I also found unusually helpful Brague’s exposition of the "feminine" nature of Plato’s teaching of genesis, of the link between Plato’s use of anakineisthai and the dramatic device of a prologue, and the significance of katasëmainesthai in conjunction with the theme of "growing" and preserving virtuous youths. In sum: this is a book to be read carefully and slowly by every serious student of Plato. It is almost as difficult, and hence as controversial, as a Platonic dialogue. It is marked throughout, even when influenced by contemporary schools of thought, by a genuine interest in Plato’s manner of thinking and writing. This is not exactly a common property of contemporary books on Plato.—S.R.

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