Abstract

This article discusses Richard Kearney’s multidisciplinary trilogy on the role of ‘Philosophy at the Limits’: On Stories (2002), Strangers, Gods and Monsters (2002) and The God Who May Be (2001). The three books take a cross-cultural approach on the margins of philosophy, the first issuing an ethics of narrative, the second welcoming the figures of Otherness, and the third affirming that God neither is nor is not but may be. Promoting a middle way between subordinating the Same to the Other and subordinating the Other to the Same, Kearney adopts the hermeneutic method to argue for the importance of faith as well as reason