The Mystery of Vision and the Miracle of Painting: A Critical Examination of Merleau-Ponty's Philosophy of the Visual Arts

Dissertation, State University of New York at Binghamton (1981)
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Abstract

This work has two explicit purposes. The first is to provide a critical exegesis of what Merleau-Ponty had to say about paintings and painters, and to situate this discussion within the larger scope of his phenomenology. This aspect of Merleau-Ponty's thought is currently underrepresented in s

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