Journal of Aesthetics and Art Criticism 76 (1):71-82 (2018)
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Abstract |
The last twenty-five years have seen a radical shift in the work of politically committed artists. No longer content to merely represent social reality, a new generation of artists has sought to change it, blending art with activism, social regeneration projects, and even violent political action. I assess how this form of contemporary art should lead us to rethink theories of artistic value and argue that these works make a convincing case for an often-dismissed position, namely, the pragmatic view of artistic value. However, the pragmatic view, when properly applied, sets the bar high indeed—art that tries to change society should be considered good art only when it succeeds in making a tangible difference.
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Keywords | art and politics artistic value aesthetics and politics |
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DOI | 10.1111/jaac.12414 |
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References found in this work BETA
Love's Knowledge: Essays on Philosophy and Literature.Martha C. Nussbaum - 1993 - Philosophy 68 (266):564-566.
Love's Knowledge: Essays on Philosophy and Literature.Alan Montefiore - 1994 - Journal of Philosophy 91 (2):105.
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Citations of this work BETA
Assessing the Intellectual Value of New Genre Public Art.Elisa Caldarola - 2019 - Open Philosophy 2 (1):22-29.
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