Aesthetic meanings and aesthetic emotions: How historical and intentional knowledge expand aesthetic experience

Behavioral and Brain Sciences 36 (2):157-158 (2013)
  Copy   BIBTEX

Abstract

This comment proposes that Bullot & Reber's (B&R's) emphasis on historical and intentional knowledge expands the range of emotions that can be properly viewed as aesthetic states. Many feelings, such as anger, contempt, shame, confusion, and pride, come about through complex aesthetic meanings, which integrate conceptual knowledge, beliefs about the work and the artist's intentions, and the perceiver's goals and values

Other Versions

No versions found

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 101,139

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Questioning the necessity of the aesthetic modes.Katherine Tullmann - 2013 - Behavioral and Brain Sciences 36 (2):160 - 161.
Knowledge of God.Constance I. Smith - 1958 - Philosophy 33 (124):56 - 57.
Knowledge of things and aesthetic testimony.Chris Ranalli - forthcoming - Inquiry: An Interdisciplinary Journal of Philosophy.
Memories of Art.William Hirstein - 2013 - Behavioral and Brain Sciences 36 (2):146 - 147.
Don't Take my Word for It: On Beliefs, Affects, Reasons, Values, Rationality, and Aesthetic Testimony.Daniel Whiting - 2017 - In Ema Sullivan-Bissett, Helen Bradley & Paul Noordhof (eds.), Art and Belief. Oxford: Oxford University Press.
Non-standard Emotions and Aesthetic Understanding.Irene Martínez Marín - 2020 - Estetika: The European Journal of Aesthetics 2 (57):135–49.
Aesthetic Evaluation and First-Hand Experience.Nils Franzén - 2018 - Australasian Journal of Philosophy 96 (4):669-682.

Analytics

Added to PP
2013-10-27

Downloads
67 (#304,013)

6 months
11 (#305,870)

Historical graph of downloads
How can I increase my downloads?