Abstract

The deep commonality of science and art lies in the fact that both phenomena arose as a means of breaking out of the self-contained shell of the self-sufficient world of everyday consciousness. Science and art arose as a means of escaping from the narrow bounds of natural existence, so as to recognize one's specifically human attitude toward the world, recognize the value of truth, beauty, and the right. In the course of history, science and art have created highly specialized superstructures. Science became a means for technological mastery of the world, and even its deep-lying substrate is perceived by us today primarily from the standpoint of the technological power it attains. In art the primary task of discovering harmony is by no means always identifiable, because it is aimed at creating consumer-oriented esthetic values. Science and art have sharply parted company in pursuit of their utilitarian functions, and this interferes with seeing their basic unity. There float to the surface such secondary phenomena as the fruitfulness of a scientist's efforts in one or another sphere of art, whether it be amateur creativity, deep involvement in esthetic values, or the study of art by the methods of science. When they interact thus, science and art appear in such polar roles that no commonality between them is observed at all