Abstract
Cette analyse des textes de Leo Strauss sur « l ' art d ' écrire » en situation de persécution cherche à en faire ressortir la cohérence et l ' intérêt. Sont examinés successivement la question du contexte, les modalités de la preuve, le caractère crypté de la vérité, la position d ' infériorité du censeur, la nécessité de mettre plusieurs textes en relation, les rapports de la philosophie et de la foi. L ' analyse freudienne du Moïse de Michel - Ange fournit enfin un contre - exemple de la méthode straussienne. This analysis of Leo Strauss ' texts about « the art of writing » in a situation of persecution aims at stressing out their coherence and interest. One after the other, the author studies in depth the concept of context, the modalities of evidence, the encrypted character of truth, the inferiority position of the censor, the need to relate several texts one to another, the relationship between philosophy and faith. The freudian analysis of the Moses by Michaelangelo shows a counter - example of the Straussian method.
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DOI 10.3917/rphi.051.0003
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