Abstract

Dewey’s view of art “as experience” takes the art object proper to be distinct from the physical artifact. The "work of art" is a label for a set of perceptual procedures in relation to a complex "situation" – one that is pregnant with vitality and saturated with “pervasive quality.” This qualitative trait is organic rather than merely mechanical in that the informed percipient’s sensibilities have already been sufficiently “funded” with a repertoire of emotionally imbued responses that culminate in a distinctive “consummatory” experience. This account intends to combine classic notions of intrinsicality and instrumentality into a general story about art, which gets elevated into an honorific trait of human life generally -- all within a naturalistic framework.