Abstract

Chris Matthew Sciabarra surveys discussions of Ayn Rand in the literature on Progressive rock music. He examines critically Edward Macan's Rocking the Classics: English Progressive Rock and the Counterculture, Paul Stump's The Music s All That Matters: A History of Progressive Rock, Carol Selby Price and Robert M. Price's Mystic Rhythms: The Philosophical Vision of Rush, Bill Martin's Listening to the Future: The Time of Progressive Rock, 1968-1978 (1998), and Durrell S. Bowman's essay on the rock band Rush in Kevin Holm-Hudson's Progressive Rock Reconsidered. He argues that the authors show varying degrees of understanding of Rand's brand of "redemptive politics."