Abstract

Vico’s theory of poetic origins greatly influenced Harold Bloom’s theory of poetry, called “the anxiety of influence.” Neither simple acceptance nor rejection, the complex influence is explained at main stages of Bloom’s career. In Bloom’s early writings, Vico’s ideas are virtually ignored. Starting with The Anxiety of Influence, Vico’s influence is acknowledged to be strong but it is repressed; Vico’s ideas are mentioned in only a few brief passages and usually presented through those of other thinkers, or are interpreted to be the same. In subsequent works, Bloom does discuss Vico’s ideas more. Finally, in Bloom’s Western Canon, Vico’s importance seems to be the greatest, since all the literature is categorized according to Vico’s idea of a cycle of three ages, although, once again, his ideas are not analyzed.