Abstract
As is made clear by the exergue by Carlo Ginzburg at the beginning of the introduction to the volume, the topic of fakes, forgeries, deceptions, and hoaxes in early modern science touches upon several crucial issues for historians of science, such as the possibilities of disentangling the true from the false in writing history, and to assess criteria of demarcations of truth and falsity in knowledge. Moreover, dealing with fakes also means going beyond rigid disciplinary boundaries. Indeed, the editors Marco Beretta and Maria Conforti underline that the inspirational sources for this book—which has its origins from the Second Watson Seminar in the History of Material and Visual Science held at the Museo Galileo in Florence in June 2013—range from Orson Welles to Trevor Roper’s famous The Hermit of Peking. Consequently, starting from the “rather naïve question” of why, since fakes, forgeries, and deception techniques proliferate in early modern sciences and culture, we still have v ..