Abstract

According to the state of the art in psychology and philosophy, colour sensations are located in a 'quality space'. This space has three dimensions: hue , saturation , and brightness. This space is structured further via a small number of primitive hues or landmark colours, usually four or six . It has also been suggested that there are eleven semantic universals — the six colours previously mentioned plus orange, pink, brown, purple, and grey. Against the standard view, we argue that colour might better be regarded as the outcome of a social-historical developmental trajectory in which there is mutual shaping of philosophical presuppositions, scientific theories, experimental practices, technological tools, rhetorical frameworks, and their intercalated and recursive interactions with the lifeworld. That is: the domain of colour is the outcome of interactive processes of scientific, instrumental, industrial, and everyday lifeworlds