Corpos insubmissos e identidades decompostas no cinema de David Cronenberg

Discurso 51 (2):39-55 (2021)
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Abstract

Trata-se de discutir a maneira com que as representações do corpo no cinema de David Cronenberg indicam uma dissociação importante entre gozo e prazer. Tal dissociação deve ser avaliada em sua dimensão propriamente política, abrindo com isso outra dimensão para aquilo que normalmente entendemos por “crítica do fetichismo”.

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10.11606/issn.2318-8863.discurso.2021.193760

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Vladimir Safatle
University of São Paulo

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Le visible et l'invisible.Maurice Merleau-Ponty - 1964 - Paris, France: Gallimard. Edited by Claude Lefort.
The Return of the Real.Hal Foster - 2001 - Journal of Aesthetics and Art Criticism 59 (1):103-105.

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