Abstract

A whole set of rhetorical maneuvers are at work in zeno's subtle logical creatures. Specially prominent (and unquestionably rhetorical in character) is a rather perverse move allowing zeno to persuade his potential audience that it is up to the reader to supply the missing qualifications without which no paradoxicality could emerge from his 'banal' stories, And to find good reasons for dismissing the most intuitive objections. Foundations for something like a 'rhetoric of paradoxicality' are given