Cinematic Thinking: Philosophical Approaches to the New Cinema

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Stanford, USA: Stanford University Press (2008)
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Abstract

This anthology of philosophical essays explores the interpersonal and political contexts in and against which the films of ten major postwar filmmakers were made.

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0804758018   080475800X   9780804758017
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Chapters

Michelangelo Antonioni: Aestheticising Time and Experience in The Passenger.Alison Ross

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James Phillips
University of New South Wales

Citations of this work

Idealist Origins: 1920s and Before.Martin Davies & Stein Helgeby - 2014 - In Graham Oppy & Nick Trakakis (eds.), History of Philosophy in Australia and New Zealand. Dordrecht, Netherlands: Springer. pp. 15-54.

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