Abstract

This text is an artistic political friction and therefore its intention is to be a manifesto. It follows Donna Haraway’s thought in its character of situated experience and knowledge, the narrative voice is of the singular creatures that question the interactions with the earth as soil and the plants, as well as the hybrids and the grafts in their contradictions and liminal character in the history of agricultural technology and of the domestication of the earth/soil. It is an approach to the notion nosótrica of the earth/soil, coming from the language Tojol’ab’al of the Indigenous people of Mexico and the meaning of knowing how to listen, studied by Carlos Lenkersdorf.