Abstract

This article examines recent practices of landscape photography in light of Henri Lefebvre's influential theorisation of the production of space. The abiding value of Lefebvre's analysis for our understanding of social geography and contemporary Capitalism is elaborated through discussion of selected photographic works that, in different ways, each foreground the socio-hisotrically constructed character of space. This analysis enables the rearticulation of Lefebvre's influential analysis of space in light of later artistic practices and in relation to subsequent developments in the form of Capitalism.