Abstract

Although often shortened to "Ise," the Ise Jingū complex in Japan has over one hundred shrines, some represented by a single rock or tree, scattered throughout the cypress forests around Ise city.1 The two main shrines, the Naikū and Gekū, represent Japan's finest examples of shikinen sengū, the practice of periodic rebuilding in accordance with Shintō rituals of seasonal renewal and purification, and they have fascinated scholars of aesthetics in Japan and the west. The purpose of this article is to explore the role of Ise in discourses that separate Western and Japanese aesthetics, the former usually characterized as static and "idealist" and the latter as dynamic and "materialist." Acknowledging James...