The Erotic Authority of Nature: Science, Art, and the Female during Goethe=s Italian Journey

Abstract

In a late reminiscence, Goethe recalled that during his close association with the poet Friedrich Schiller, he was constantly defending “the rights of nature" against his friend's “gospel of freedom.”1 Goethe’s characterization of his own view was artfully ironic, alluding as it did to the French Revolution's proclamation of the "Rights of Man." His remark implied that values lay within nature, values that had authority comparable to those ascribed to human beings by the architects of the Revolution. During the time Goethe made his defense, he also faced another revolution, in which Schiller was a partisan—that of Kant in the intellectual sphere. Both upheavals had undermined the autonomy of nature, replacing her authority with that of human will and understanding. Previous papers in this volume have recorded the shifting fortunes of nature that brought her to this stage of jeopardy. In the early classical period, nature as a unified whole had not yet arisen. Animate and inanimate objects had natures— characteristic modes of action—but there was as yet, according Slatkin, no articulate concept of nature as a whole standing over against human beings. Park has described a long period of transition, when nature became personified in the form of a didactic female, a figure imaginatively based, it would seem, upon the system of a 1 natural philosophy that stood in contrast to the revealed wisdom of God. Nature in this guise yet derived her authority and nurturing capacity from that higher, divine power. During the seventeenth century, writers like Mandeville, as Allen has shown, began to suspect that nature might be a chimera, a fictive creature that disguised humanity's own hidden desires and inclinations. These doubts grew during the next century—with the likes of Hume accelerating the skepticism— till finally, in the two revolutions that so troubled Goethe, nature was completely stripped of her authority. Goethe had become confirmed in his defense of the rights of nature during his travels to Italy during the years 1786-1788.

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,322

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

  • Only published works are available at libraries.

Similar books and articles

Intuition and Nature in Kant and Goethe.Jennifer Mensch - 2009 - European Journal of Philosophy 19 (3):431-453.
Goethe's Way of Science: A Phenomenology of Nature.David Seamon & Arthur Zajonc (eds.) - 1998 - State University of New York Press.
Goethe on science: a selection of Goethe's writings.Johann Wolfgang von Goethe - 1996 - Edinburgh: Floris Books. Edited by Jeremy Naydler.
The moral authority of nature.Lorraine Daston & Fernando Vidal (eds.) - 2004 - Chicago: University of Chicago Press.
Brunelleschi's egg: nature, art, and gender in Renaissance Italy.Mary D. Garrard - 2010 - Berkeley, Calif.: University of California Press.
Goethe's Morphology: Urphänomene and Aesthetic Appraisal. [REVIEW]Joan Steigerwald - 2002 - Journal of the History of Biology 35 (2):291 - 328.
Theory of science in the light of Goethe's science of nature.Hjalmar Hegge - 1972 - Inquiry: An Interdisciplinary Journal of Philosophy 15 (1-4):363 – 386.
On Nature and Bioethics.Paul Silas Peterson - 2010 - Human Reproduction and Genetic Ethics 16 (1):74-86.
Philosophy in the information age.Terrell Ward Bynum - 2010 - Metaphilosophy 41 (3):420-442.
Toward a Practical Philosophy of Nature.Klaus M. Meyer-Abich - 1979 - Environmental Ethics 1 (4):293-308.

Analytics

Added to PP
2010-12-22

Downloads
20 (#744,405)

6 months
3 (#1,023,809)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

Robert Richards
University of Chicago

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references