An Introduction to the Problem of Affirmation in Nietzsche's Thought

Dissertation, The Pennsylvania State University (1980)
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Abstract

The third and fourth parts sketch aspects and difficulties of such a philosophy. Part III is concerned with the overcoming of the metaphysical negativity inherent in the conception of phenomena as appearances. Nietzsche's use of the Dionysian "mask" in his later thought is examined with respect to precisely such an overcoming. The affirmative relation of mask and masked and the problem of philosophical unmasking as affirmation arise as elements unique to the latest phase of Nietzsche's thought and are discussed in analyses of several of the Dionysus Dithyrambs as well as texts from Beyond Good and Evil and Twilight of the Idols. Part IV explores the philosophical affirmation contained within the exhibition of the mask as mask through unmasking. ;The appendices contain extended discussions of particular textual problems as well as translations of selected fragments--hitherto untranslated or only partially translated--from Nietzsche's notebooks in the last productive decade of his life. ;The following study is an attempt to arrive at an understanding of Nietzsche's thought in terms that are internal to that thought itself. The concept of "affirmation" was chosen as an appropriate one because of its central place in Nietzsche's description of his own thought in opposition to the nihilistic movement of previous philosophy. ;The first part of the dissertation is a detailed discussion of Schopenhauer's philosophy, a philosophy which culminates in the question of the "affirmation or negation of the will to life." In our exposition we are able to see not merely the connection of Schopenhauerian pessimism and philosophical nihilism, as understood by Nietzsche, but, as significantly, the way in which the philosophical tradition is positively present in this philosophy. The constructive nature of knowledge, the negative source of activity, the "identity" of art all lead to the final truth of the "nothing." The relation of Schopenhauer's apparently willful and arbitrary conceptions to the history of philosophy is emphasized throughout this first part which, despite this historical interest, attempts to arrive at an immanent understanding of this philosophy. ;The second part concerns itself with the Birth of Tragedy, but is as much an elaboration, extension and application of certain aspects of this book to other elements of Nietzsche's thought as it is an analysis of the book. The Birth of Tragedy's ambiguous connection with Schopenhauer is first discussed, particularly as concerns the central theme of "tragic affirmation" as affirmation of the totality. The ontological obscurities of the divine pair Apollo-Dionysus are discussed, and the "spirit of music" that generates tragedy, the Dionysian spirit of affirmation, is contrasted with the Platonic daimon of Eros. The problem of Dionysos mousikos as Dionysos philosophos emerges in this part

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