Abstract

In Merleau-Ponty's work there is an intimate and reciprocal involvement of socio-cultural and philosophical concerns, more profound and central than Merleau-Ponty himself acknowledged. This gives rise to productive tensions over the course of his works, between the paradigm of perception and an emerging, more culturalist paradigm: language, history, and culture penetrate to the heart of perception, and at the same time the historicity at the heart of perception offers us new ways of understanding the sense and dynamics of the social, cultural and historical fields. The outcome is an outline of an ontology which allows us to think of both nature and culture in new ways and in new relationships. Particularly fruitful is Merleau-Ponty's development of the paradigms of perception and of the life world in the concept of the World, emerging as an original ontological figure, and offering a way of thinking about meaning from our first opening upon it to the cultural world horizon and beyond