The Production of Subjectivity: Marx and Contemporary Continental Thought

Dissertation, State University of New York at Binghamton (2001)
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Abstract

This project is an attempt to frame and develop the questions: What is the relation between the economy, what Marx called the mode of production, and transformations of subjectivity and social relations? How is it possible to think these relations without reducing one to the other, or effacing one for the sake of the other? In short, how can we think the materiality of subjectivity? Several different discourses and lines of research provoke these questions. First, recent and not so recent work within continental philosophy in relation to the "critique of the subject," argues for an investigation of the practices of knowledge, power, and desire productive of historically determinate forms of subjectivity. The second line of research includes a history of heterogeneous Marxist thinkers all of whom attempt to locate in Marx's texts a series of questions, largely unresolved, regarding the relations between production and power, politics and the economy, culture and materiality. To identify these two discourses as provocations, however, is not to suggest that what is at stake in this project is the simple adjudication, or settling of accounts, between Marxism and post-structuralism---a question which would only be of interest to a handful of academics. Rather the investigation into these two lines of research has as its framework a larger and somewhat inchoate series of questions regarding the contemporary socio-historical condition. These questions all begin from the intuition that contemporary society, what is called "post-industrial," "postmodern," or "information society," entails a fundamental transformation of the relations, or an accelerated breakdown of the divisions, between the spheres of the economy, culture, politics, and subjectivity. I argue that these questions, and the current juncture which they attempt to grasp, can be clarified through an articulation of the complex relation between the mode of production and the production of subjectivity; such an articulation takes the form of a genealogy of various critical junctures in the writing of Marx, the debates within western Marxism and critical theory, and contemporary continental philosophy

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