Studies on Binocular Vision. Optics, Vision and Perspective from the Thirteenth to the Seventeenth Centuries

Springer (2016)
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Abstract

This book explores the interrelationships between optics, vision and perspective before the Classical Age, examining binocularity in particular. The author shows how binocular vision was one of the key juncture points between the three concepts and readers will see how important it is to understand the approach that scholars once took. In the Middle Ages and the Renaissance, the concept of Perspectiva – the Latin word for optics – encompassed many areas of enquiry that had been viewed since antiquity as interconnected, but which a erwards were separated: optics was incorporated into the field of physics (i.e., physical and geometrical optics), vision came to be regarded as the sum of various psycho-physiological mechanisms involved in the way the eye operates (i.e., physiological optics and psychology of vision) and the word ‘perspective’ was reserved for the mathematical representation of the external world (i.e., linear perspective). The author shows how this division, which emerged as a result of the spread of the sciences in classical Europe, turns out to be an anachronism if we confront certain facts from the immediately preceding periods. It is essential to take into account the way medieval scholars posed the problem – which included all facets of the Latin word perspectiva – when exploring the events of this period.

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Chapters

Ibn al-Haytham on Binocular Vision

Early modern physiological optics introduced the concept of correspondence to the study of the conditions for the fusion of binocular images. The formulation of this concept has traditionally been ascribed to Christiaan Huygens and to an experiment often attributed to Christoph Scheiner . Here it wi... see more

Knowledge and Beliefs Regarding Linear Perspective

The aim of this chapter is to deconstruct the notion that linear perspective formed a stable system of representation beginning in the Quattrocento. Doubts must be raised because the history of perspective is in fact quite conjectural due to the many lacunae scattered along its path; one crucial exa... see more

Understanding Errors in Perspective

This chapter examines the question of errors in perspective from the viewpoint of the painter rather than the spectator, a distinction that significantly modifies the way in which the problem is approached. Perspective is therefore judged in terms of the methods used by the painter or architect who ... see more

The Legacy of Ibn al-Haytham

Scientific ideas can have no lasting legacy unless they are accepted and transmitted by a series of successors. Our investigation will therefore focus first of all on the diffusion of texts regarding the optics of Ibn al-Haytham among his peers and subsequent generations of scientists by studying th... see more

Perspectiva Naturalis/artificialis

Perspective, as a system of visual representation, draws its name from the medieval Latin term perspectiva which means ‘optics.’ We owe this linguistic connection to the fact that certain principles of perspective developed from theories of vision. Between the two sets of notions one can find relati... see more

The Rejection of the Two-Point Perspective System

During the classical period many theoreticians published detailed critiques rejecting the perspective system based on two vanishing points located on the same horizon. A study of their texts establishes unambiguously that the system, by then judged by the main theorists to be unorthodox, was closely... see more

The Properties of Two-Point Perspective

Thirty works painted between the end of the Duecento and the middle of the Quattrocento using two-point perspective are reconstructed here using the process of error analysis described in Appendix A. In terms of the classification of different systems of representation, these constructions do not co... see more

The White–Carter Conjecture on Synthetic Perspective

In the wake of Panofsky’s work on perspective, John White and Bernard Carter identified the “axial construction” as the product of a system in which the measurements of an object on a projection circle are transferred to the picture plane by means of transfer lines. While this construction has been ... see more

Fact and Fiction Regarding Masaccio’s Trinity Fresco

The present chapter discusses some new findings on the question of how Masaccio constructed the perspective in his Trinity fresco. Some scholars have attempted to reduce the anomalies in the work using photogrammetry and computer analysis. On such grounds it has been argued that Masaccio used the no... see more

De Mesa’s Hypothesis Regarding the Arithmetic Construction of Perspective

Andrés De Mesa Gisbert proposes that the perspectives in paintings from the Duecento and Trecento were drawn arithmetically, i.e. without resorting to vanishing points. The most convincing argument for this hypothesis is that the division of two parallel lines by straight lines intersecting each oth... see more

The Hauck–Panofsky Conjecture Regarding Curvilinear Perspective

In the wake of Guido Hauck’s work on “subjective perspective,” Erwin Panofsky concluded that perspectives based on what he referred to as a “vanishing axis” could be interpreted as a form of curvilinear perspective. The present chapter aims to refute this conjecture by demonstrating that such constr... see more

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Dominique Raynaud
Université Grenoble Alpes

Citations of this work

Binocular vision and image location before Kepler.Robert Goulding - 2018 - Archive for History of Exact Sciences 72 (5):497-546.
De Ptolomeo a Hering: percepción binocular.Carlos Alberto Cardona Suárez - 2021 - Anales Del Seminario de Historia de la Filosofía 38 (2):267-280.

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