Authors
Rafe McGregor
Edge Hill University
Abstract
The purpose of this essay is to argue that Blade Runner: The Final Cut (Ridley Scott, 2007) has cognitive value which is inseparable from its value as a work of cinema.  I introduce the cinematic philosophy debate in §1.  §2 sets out my position: that the Final Cut affirms the proposition there is no necessary relation between humanity and human beings.  I outline the combination of cinematic depiction with distinctive features of the narrative’s peripeteia in §3.  In §4, I explain the cognitive value of the peripeteia.
Keywords Cognitive Value  Cinematic Philosophy  Blade Runner
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References found in this work BETA

Poetics. Aristotle - 1932 - Oxford University Press.
Poetics.Malcolm Aristotle & Heath - 1996 - Oxford University Press.
Theses on Cinema as Philosophy.Paisley Nathan Livingston - 1991 - Journal of Aesthetics and Art Criticism 64 (1):11–18.
Film as Philosophy: In Defense of a Bold Thesis.Aaron Smuts - 2009 - Journal of Aesthetics and Art Criticism 67 (3):409-420.
Cinematic Philosophy: Experiential Affirmation in Memento.Rafe Mcgregor - 2014 - Journal of Aesthetics and Art Criticism 72 (1):57-66.

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