Abstract
As Socrates argues in Cratylus, although different name-makers or name-designers (Greeks and barbarians) do not embody the name in the same syllables it must not be forgotten that they attempt to reproduce the same ideal (t´ypos). Could also Greek and barbarian names of gods, made of different letters and syllables, reproduce the same t´ypos? If one takes seriously Herodotus’ onomatological inquiry in his Egyptian lógos (The Histories II 50), one may find the optimum way to understand the scope of Plato’s dialectical ‘games’ between the three speakers in Cratylus (Socrates, Hermogenes and Cratylus) and, more precisely, their «theological» implications