The Aesthetics of Punk Rock

Philosophy Compass 9 (9):583-593 (2014)
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Abstract

Philosophers should listen to punk rock. Though largely ignored in analytic aesthetics, punk can shed light on the nature, limits, and value of art. Here, I will begin with an overview of punk aesthetics and then extrapolate two lessons. First, punk intentionally violates widely held aesthetic norms, thus raising questions about the plasticity of taste. Second, punk music is associated with accompanying visual styles, fashion, and attitudes; this points to a relationship between art and identity. Together, these lessons suggest that art appreciation is not just about finding beauty or aesthetic worth but is also about constructing a self.

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Author's Profile

Jesse J. Prinz
CUNY Graduate Center

Citations of this work

Country Music and the Problem of Authenticity.Evan Malone - 2023 - British Journal of Aesthetics 63 (1):75-90.
The aesthetics of country music.John Dyck - 2021 - Philosophy Compass 16 (5):e12729.
Shared Musical Experiences.Brandon Polite - 2019 - British Journal of Aesthetics 59 (4):429-447.
Really Boring Art.Andreas Elpidorou & John Gibson - 2022 - Ergo: An Open Access Journal of Philosophy 8 (30):190-218.
Cheap Art and Creative Activism.Cathleen Muller - 2023 - Journal of Aesthetics and Art Criticism 81 (2):269-279.

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References found in this work

Critique of the power of judgment.Immanuel Kant - 2000 - New York: Cambridge University Press. Edited by Paul Guyer.
Aesthetic Concepts.Frank Sibley - 1959 - Philosophical Review 68 (4):421-450.
The Artworld.Arthur Danto - 1964 - Journal of Philosophy 61 (19):571-584.

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