Abstract

The subtlety of the novel lies in its unrelieved tension of flesh and spirit, exclusion and invitation, the social self and the deeper impersonal self. At one extreme are the caricatures caught in the social grid - the Turtons and Burtons. At the other are the characters who slip out of the meshes of social responsibility through despair or obliviousness. We move from the elaborate rituals of Anglo-Indian to Mau, where the only aspects of life we are shown are ecstasy and neglect. Where does the mind rest? The difficulty with looking at reality directly is that reality will tend to dissolve: "not now, not here, not to be apprehended except when it is unattainable." Transcendence dehumanizes, the deeper self is a source rather than a habitation, we cannot see the unseen. We only glimpse it through paradox, violence, or farce; and each of these contributes something to Forster's conception of character. Martin Price, Thomas E. Donnelly Professor of English at Yale University, is author of To the Palace of Wisdom and the recently reprinted Swift's Rhetorical Art, editor and coeditor of the Oxford Anthology of English Literature, and coeditor of Poetry Past and Present. He is currently working on a book on character in the novel