Abstract

This article delineates the cosmopolitan praxis of Nietzsche’s imaginary figure of “the good European.” The good European is the child and creator of Nietzsche’s ideal, postmodern, and post-Christian Europe. As Ananta Kumar Giri justifiably argued, cosmopolitanism is, amongst others things, a matter of practical experimentation, a continuous process of self-critique and border-crossing. Nietzsche’s good European is the exemplary cosmopolitan practitioner, who deliberately and literally undertakes travels to transform himself from a “chainsick” person, who is tied to old moral chains, into a rootless freethinker, “artist of life,” and creator of culture.It is argued that the good European represents the individual, who is indeed liberated from an old, obsolete morality, yet who simultaneously shows himself a highly ethical being in his praxis of freedom. The good European in the Nietzschean sense can further be regarded as quite the opposite of Kant’s cosmopolitan citizen, in the sense that selfishness, competition, and the violent edges of human nature are not so much annihilated in a natural and reasonable process towards “eternal peace,” but rather postulated as vital elements of the cosmopolitan spirit. They are indispensable features of the good European as a “citizen of the world” in the Nietzschean sense.