Putting Modernity in its Place

Theory, Culture and Society 26 (7-8):32-51 (2009)
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Abstract

Jack Goody’s work on the origins, spatial extent and defining characteristics of modernity has vigorously questioned claims that only European history led to assorted modern characteristics: capitalism, science, democracy, romantic love, and inwardly-motivated personal restraint. He argues that many societies which experienced the Bronze Age urban revolution share certain important material similarities which set them apart from others, and are best understood by constructing an analytical grid rather than categorical stages. With respect to alleged affective differences, Goody takes a more strongly relativist stance, rejecting any developmental divide in the prevalence of romantic love, internalized self-discipline, etc. These useful steps nonetheless generate new problems. One concerns the relationship between material/technical changes, which seem to suggest a few very general historical periods, and affective traits, which have no history in this schema. A second concerns periodization itself; while agreeing that periods defined by the experience of one region are usually unhelpful, some general terms do seem essential for conceptualizing developments that, though less epochal than writing or fossil fuels, are nonetheless important.

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Citations of this work

Uses and misuses of a chinese renaissance.Mark Gamsa - 2013 - Modern Intellectual History 10 (3):635-654.
Many Renaissances, Many Modernities?Jan Nederveen Pieterse - 2011 - Theory, Culture and Society 28 (3):149-160.

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References found in this work

The Pattern of the Chinese Past.Ross Isaac & Mark Elvin - 1975 - Journal of the American Oriental Society 95 (3):531.
The Agrarian Origins of Modern Japan.Matthew V. Lamberti & Thomas C. Smith - 1971 - Journal of the American Oriental Society 91 (4):526.
The East in the West.Jack Goody - 1998 - Science and Society 62 (2):312-314.

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