Deleuze and Guatarri Studies 5 (2):261-274 (2011)
| Abstract |
This essay presents some thoughts on schizoanalysis and visual culture around the proposition that cinema survives in the digital age as a type of image that, after the movement-image and the time-image, could be called the neuro-image. By considering clinical schizophrenia as ‘degree zero’ of schizoanalysis in a more critical sense, a reading of The Butterfly Effect unfolds the temporal dimensions of schizoanalysis as typical for a definition of ‘the neuro-image’. The argument is that the neuro-image speaks from the (always speculative) future.
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| DOI | 10.3366/dls.2011.0020 |
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References found in this work BETA
Anti-Oedipus: Capitalism and Schizophrenia.Gilles Deleuze & Felix Guattari - 1977 - Univ of Minnesota Press.
Cinema 1: The Movement Image.Gilles Deleuze, Hugh Tomlinson & Barbara Habberjam - 1988 - Journal of Aesthetics and Art Criticism 46 (3):436-437.
Gilles Deleuze's "Difference and Repetition": A Critical Introduction and Guide.James Williams - 2006 - Journal of Nietzsche Studies 31 (221):61-62.
The Neuro-Image: A Deleuzian Film-Philosophy of Digital Screen Culture.Patricia Pisters - 2012 - Stanford University Press.
View all 11 references / Add more references
Citations of this work BETA
A Deleuzian Cineosis: Cinematic Semiosis and Syntheses of Time.David Deamer - 2011 - Deleuze and Guatarri Studies 5 (3):358-382.
Flashforward: The Future is Now.Patricia Pisters - 2011 - Deleuze and Guatarri Studies 5 (Suppl):98-115.
Contra-Axiomatics: A Non- Dogmatic And Non-Idealist Practice Of Resistance.Chris Henry - 2016 - Dissertation, University of Kent
The Ethics of Political Resistance: Althusser, Badiou, Deleuze.Henry Chris - 2019 - Edinburgh: Edinburgh University Press.
Deleuze's Three Syntheses Go to Hollywood: The Tripartite Cinema of Time Travel, Many Worlds and Altered States.David Deamer - 2019 - Film-Philosophy 23 (3):324-350.
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