Film-Philosophy 14 (1):232-252 (2010)

To develop my arguments about this revision of the logistics ofdisappearance, I will turn to several recent Iraq War films, look at thedifferent types of screens they present and investigate their aestheticdimensions and ethical implications. Among the multiple screens present inthese films, the video war diaries made by the soldiers at the front are mostsalient. These diaries will be an important focus of my analysis of acontemporary logistics of perception, which, following the implication ofWeb 2.0 applications, I will call the logistics of perception 2.0
Keywords War Films  Screen Culture  Iraq
Categories (categorize this paper)
DOI 10.3366/film.2010.0008
Edit this record
Mark as duplicate
Export citation
Find it on Scholar
Request removal from index
Revision history

Download options

PhilArchive copy

Upload a copy of this paper     Check publisher's policy     Papers currently archived: 71,464
Through your library

References found in this work BETA

Simulacra and Simulation.Jean Baudrillard - 1981 - University of Michigan Press.

Add more references

Citations of this work BETA

No citations found.

Add more citations

Similar books and articles

Ariadne at the Movies.John Dilworth - 2003 - Contemporary Aesthetics 1.
Cahiers Du Cinéma, the 1950s: Neo-Realism, Hollywood, New Wave.Jim Hillier (ed.) - 1985 - Cambridge: Harvard University Press.
Why the U.S. Must Immediately Withdraw From Iraq.James P. Sterba - 2005 - International Journal of Applied Philosophy 19 (1):1-9.
Horror Films and the Argument From Reactive Attitudes.Scott Woodcock - 2013 - Ethical Theory and Moral Practice 16 (2):309-324.


Added to PP index

Total views
24 ( #476,236 of 2,520,436 )

Recent downloads (6 months)
1 ( #405,718 of 2,520,436 )

How can I increase my downloads?


My notes