Abstract

This article situates Jean-Christophe Bailly’s The Animal Side in the continuum of Continental philosophy on animality and animal ontology. Exploring Bailly’s linking of thought and vision and his insistence on the pivotal role of animals in the emergence of European art and image-making, I argue that the political dimension--a central implication of Bailly’s text--calls for further attention and development. This points to a broader concern within contemporary Continental theory on the subject of animals: the need to connect new human and animal ontologies with ethical, political, and normative models for the effective articulation of post-anthropocentric collectivities.