Abstract

In this work, our hypothesis is that the parody towards historiography and its textualities is the principal axis in Los Perros del Paraíso, by the Argentinian Abel Posse, considered by the critics as part of the New Latin-American historical novel. This textual feature allows questioning the historiographic story and articulating other possible visions of history. This parody is manifested through three mechanisms: 1) form, through which quotations and referents coincides, as well as notes, data and other elements usually found in other formats than literature, i.e., text pretending veracity and non-fiction; 2) superposition of stories overlapping and co-occurring in opposition to the line and causality of the historical text; and 3) the subjective perspective of the narrator, who constantly comments events, thus opposing the historicist objectivity.