Abstract

Religion was always perceived as the threshold between two worlds. It is a space where individuals are supposed to be connected to a different reality through the mediating power of a particlular ritual, at a specific time and in a certain space. A new space of appearance is the expected outcome along with this relocation from profane to sacred. Religious broadcasting could be conceptualized as a visual and acoustic “altar”. The ritual, space and time are the pillars of this audio-visual “cathedral” the very space that could build the bridge between sacred and profane, and the means for this mediated, symbolic transfer. This paper tries to outline the power of media representation in the context of religious broadcasting that uses ritual and imagination to maintain and negotiate the distinction between sacred and profane and to generate alternative narratives. In this regard, the religious broadcasting, presuming the sacerdotal role to represent, mediate and interpret the relationship between sacred and profane is being conditioned by a ritualized medium. As a result, the religious messages could end up as a ritualized mystification that would jeopardize the production of meaning