Abstract

Opening on Olympus and concluding with two trials involving ‘the Syrian’ (an obvious Lucianic persona), Lucian'sDouble Indictment(=Bis Acc.) presents a fantastical scenario that draws on Old Comic, Platonic and biographical models. In the first of the Syrian's two trials, a personified Rhetoric accuses the Syrian of abandoning her, his legitimate wife, for his lover, Dialogue. Dialogue, in turn, accuses the Syrian ofhubris, asserting that the Syrian rendered him a generic freak when he forced him to accept ‘jokes,iambos, cynicism, and Eupolis and Aristophanes’ (ὁ σκῶμμα καὶ τὸν ἴαμβον καὶ κυνισμὸν καὶ τὸν Εὔπολιν καὶ τὸν Ἀριστοφάνη,Bis Acc.33). Amidst this literary fantasy, Lucian seemingly adds an element of realism when the Syrian specifies that he was ‘almost forty’ (τετταράκοντα ἔτη σχεδὸν γεγονότι,Bis Acc.32) at the time he left Rhetoric for Dialogue. This is notably not the only instance in which we find this age attributed to a Lucianic alter-ego: Lycinus in theHermotimus(=Hermot.) is likewise described as being ‘almost forty’ at the time of the dialogue. This is strikingly also the same age at which the dialogue's eponymous interlocutor—he is sixty at the time of the dialogue—began his own philosophical education (αὐτὸς κατὰ σὲ γεγονὼς ἠρξάμην φιλοσοφεῖν τετταρακοντούτης σχεδόν,Hermot.13).