Solomon Ibn Gabirol: Universal Hylomorphism and the Psychic Imagination
Dissertation, The Ohio State University (
2000)
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Abstract
In this project, I offer an extended treatment of Gabirol's metaphysical doctrine of universal hylomorphism . My thesis is that, for Gabirol , matter signifies the most sublime moment of the Neoplatonic Intellect, and, by extension, the pre-determinate, essential existence which each thing has in virtue of its subsistence in said Intellect. My reading thus identifies matter with a grade of pure Being. Drawing upon Latin, Hebrew and Arabic Fons Vitae materials, I develop and support this thesis in light of three of Gabirol's most vexing remarks about matter, viz., that matter is 'per se existens,' descended directly from the First Essence, and like a Divine Throne. In the course of developing my thesis, I argue for strictly distinguishing between Gabirol's UH and other Augustinian forms of UH, for revising the accounts of Pines, Weisheipl, Brunner and Schlanger, for the relevance of Saadiah's Sefer Yez&dotbelow;irah commentary in a study of Gabirol, and for the conceptual identification of creation ex nihilo and emanation. I also provide the reader with a larger Neoplatonic context for considering the superiority of the material over the formal, as I additionally examine relevant notions of materiality in a variety of other textual traditions, including the writings of Plotinus, Proclus, and the Neopythagorean Nicomachus, as well as various Jewish and Islamic texts . ;I close with a 'meta' analysis of Gabirol's metaphysical project in which I suggest treating Gabirol's interest in universal hylomorphism---and any other bits of cosmo-ontology---in terms of said doctrine's ability to effect the reader's soul in certain ethically and epistemologically crucial ways. In this move, I suggest that the importance of Gabirol's philosophical metaphysics is not best gauged by considering what his metaphysical propositions denote, but instrumentally by considering the effect said propositions are intended to have on the reader. I develop this point by providing analyses of Neoplatonic dialectic, textual rhetoric, and the mechanics of imagination in Gabirol's Arabic Neoplatonic tradition