Dubbio e scetticismo in Erasmo da Rotterdam

In Enrico Pasini & Pietro B. Rossi (eds.), Erasmo da Rotterdam E la Cultura Europea. Erasmus of Rotterdam and European Culture. Sismel - Edizioni Del Galluzzo. pp. 199-250 (2008)
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Abstract

Popkin set Erasmus as the beginner of modern skepticism, and made of him an apologetic sort of sceptic, that uses doubt to make acceptable the tradition and authority of the church. The pivotal moment is the debate concerning free will. Luther is particularly upset by Erasmus’ professions of skepticism in his De libero arbitrio, although it was meant by him as an appeal to moderation: the key to Erasmus’ skepticism isn’t religious incredulity, but putting doubt to good use, in suspending judgements that are not necessary and might be dangerous to peace and concord among christians. Doubt isn’t endorsed by the christian tradition, nor by the literary one, and technical treatments (in logic or rhetorics) are not favored by Erasmus. Moreover skepticism receives the same ambiguous consideration that Erasmus has for philosophy in general. But he practices doubt nevertheless, in both forms of dubitare and ambigere. The latter is particularly important, since this practice of skepticism is particularly useful in avoiding the common error of doing what one had better omit. These ideas of Erasmus play a role in his cultural, theolocial, and ecclesiastical program, developed by him along many years, and specifically in the years of the crudest confrontation among emerging religious factions. In the works of the greats catholic skeptics, such as Huet, skepticism and fideism will be tightly connected, Erasmus supports skepticism as a means to gain for all contending parties a right to doubt and ask for suspension of judgement in matter of warlike controversy, aiming instead to concile intellectual freedom and irenic perspectives

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