Deleuze avec Bergson : deux modélisations cinématographiques de la fabrique du réel

Philosophiques 45 (1):143-157 (2018)
  Copy   BIBTEX


In Cinema I, and II, Deleuze does an astonishing commentary of the first chapter of Matter and Memory. He perceives in Bergson an innovative theory of the intrinsic dynamism of images that could establish not only a philosophy of cinema but also a new ontology. It is as if Deleuze, in the wake of Bergson, had seen in the 7th art not the opportunity for an aesthetic reflection but rather the occasion of a renewed thought of the immanence. We try here to figure out the range and limits of this Deleuzian interpretation.



    Upload a copy of this work     Papers currently archived: 89,330

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Simondon et la question du mouvement.Pierre Montebello - 2006 - Revue Philosophique de la France Et de l'Etranger 196 (3):279-297.
Thought and Repetition in Bergson and Deleuze.Jonathan Sholl - 2012 - Deleuze and Guatarri Studies 6 (4):544-563.


Added to PP

6 (#1,254,038)

6 months
1 (#1,002,272)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

Add more references