Abstract

When composing “Echoes” I set out to express in an artistic form the cognitive dissonance we sometimes feel between the depth of divine Presence in our experience and the often perplexing shallowness of the various “presences” we experience in our daily life. By starting out with a reference to “every time” and “every space”, the first stanza highlights the contrast between these mundane presences and what religious believers might call “God’s Voice”. If the poem has a “primary” message, it is that God is in all these perplexing presences, though not always (or ever?) in a way that enables us to explain or fully comprehend that Presence with neat rational formulae